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As the term "jazz" has long been used for a wide variety of styles, a comprehensive definition including all varieties is elusive. While some enthusiasts of certain types of jazz have argued for narrower definitions which exclude many other types of music also commonly known as "jazz", jazz musicians themselves are often reluctant to define the music they play. 

 

 

Jazz
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Stan Geta &
Gary Burton
1963 Boston (↑)

Photo gallery
Photo Gallery

 

John coltrane
The jazz workshop
1963 Boston (↓)

 

Duke Ellington summed it up by saying, "It's all music." Some critics have even stated that Ellington's music was not in fact jazz, as by its very definition, according to them, jazz cannot be orchestrated.
On the other hand Ellington's friend Earl Hines's 20 solo "transformative versions" of Ellington compositions (on Earl Hines Plays Duke Ellington recorded in the 1970s) were described by Ben Ratliff, the New York Times jazz critic, as "as good an example of the jazz process as anything out there
Tin
Pan
Alley

 

Jazz is an original American musical art form which originated around the beginning of the 20th century in African American communities in the Southern United States out of a confluence of African and European music traditions. The use of blue notes, call-and-response, improvisation, polyrhythms, syncopation and the swung note of ragtime are characteristics traceable back to jazz's West African pedigree. During its early development, jazz also incorporated music from New England's religious hymns and from 19th and 20th century American popular music based on European music traditions. The origins of the word "jazz," which was first used to refer to music in about 1915, are uncertain.

 

 

 

 

 

 

 

 

 

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Tin

Pan

Alley



 

Tin Pan Alley is the name given to the collection of New York City-centered music publishers and songwriters who dominated the popular music of the United States in the late 19th century and early 20th century.

The start of Tin Pan Alley is usually dated to about 1885, when a number of music publishers set up shop in the same district of Manhattan. The end of Tin Pan Alley is less clear cut. Some date it to the start of the Great Depression in the 1930s when the phonograph and radio supplanted sheet music as the driving force of American popular music, while others consider Tin Pan Alley to have continued into the 1950s when earlier styles of American popular music were upstaged by the rise of rock & roll.

Tin Pan Alley was originally a specific place, West 28th Street between Broadway and Sixth Avenue in Manhattan.

 

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